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The house located at 149 Queen St. (on the northwest corner of Queen and Essa Streets) was built pre-1900 in the Ontario Vernacular Cottage style. It was once the home of the Bales family.
The 1½-storey, three-bay ‘cottage’ has a simple, rectangular form with a symmetrical façade and a centre hall plan. It has a medium-pitched, gable roof and a lack of decoration and porch addition. The replacement windows have the original, plain, wood lug sills and trim. Metal storm windows and the door are later additions. The structure also has a one-storey addition that was built at a later time. This structure has stucco cladding on 4” poured-in-place, concrete walls and a parged, stone foundation. According to the 2000 inventory, the modest dwelling requires painting and landscaping. (1, 3)

The mid-block building located at 52 Simcoe Road was built post-1900 (1902?) in the Gothic Revival Cottage style. The house, which is larger than other older cottages of a similar style in Bradford, was built on property owned by Charles Adams. Originally, there was a garden to the west and a barn on the lane. Later residents of this house included Joe Brown (a retired farmer from the 10th line) and Jessie, who lived here until he died. Joe was a noted gardener who raised his granddaughter Margaret Turner. Paul Margetiak and his wife and son also lived here at one time. He was a gardener, too, and he built a garage on the property. Len Saint did the cement work and added a closed-in porch. Eventually the property was bought by Gary Swagerman. He lived in the house with his wife and family and eventually had the barn remodelled to become the site of a dry cleaner. The garden was paved and used as a parking lot for the business.
The 1½-storey, three-bay cottage has a rectangular plan, a centre hall, and a symmetrical façade. The medium-pitched, gable roof has a centre gable over the entrance. There are single windows to the primary rooms on each side of the covered entrance porch. A raised, open porch has a hip roof supported on simple, wood columns set directly on the porch base/foundation. The porch has a simple, wood handrail and balusters. A single entrance door is set into a segmented, arched opening. Windows are set into segmented, arched openings with brick voussoirs and concrete lug sills. The windows and door are not original. A second-storey window set halfway into the centre gable is a reference to the Gothic Revival style. Locally-made bricks were placed by Tom Saint on the wood frame construction. According to the 2000 inventory, the house is in good condition. (1, 2, 3)

The mid-block building located at 61 Simcoe Road was built around 1850-1880 in the Classic Revival style. Emerson Glover and his wife and children (Betty, Wilma, Joe and Mary) moved to this house from Coulson’s Hill. He had Len Saint build a cement garage for the trucks he used in his general trucking business. There was a large garden at the back. Andy Simurda (a gardener) bought the house when the Glovers moved to Toronto. He also used the garage for his trucks and for vegetable storage. The garage was eventually demolished. In 1925, Billie Ward, his wife Evelyn, and children (Gwen and Connie) lived here. He worked for Spence Lumber Co. and was a master machinist as well as a clock maker. This structure later became the home of Gwen (Ward) Kilkenny for many years.
The 1½-storey, two-bay house has a rectangular, simplified, ‘temple’ plan with an off-centre entrance and a medium-pitched, gable roof. The pediment roof shape is facing the front and there is a central chimney. A hip roof on the grade-level, entrance-porch verandah is supported on wood half-posts on a solid, wood railing. The roof supports are not original. A door set into a plain, rectangular opening is also not original. There are small window openings with low floor to ceiling heights. A single, ground-floor window and the smaller, upper-floor windows are set into plain, rectangular openings. They are not original. The small, upper-floor windows are offset from the ground-floor openings. The house has 4” poured-in-place, concrete construction with vertical, metal siding. It was originally clad in stucco. According to the 2000 inventory, there are no original details remaining other than the building’s form. (1, 2, 3)

The mid-block building located on the west side at 60 Barrie St. was built pre-1900 in the Ontario Vernacular Cottage style. The one-storey, three-bay cottage has a symmetrical façade, a square plan, and a centre hall. A box hall was typical for this style. It has a shallow-pitched, hip roof and small window openings with low floor to ceiling heights. The double-hung windows at the ground floor have plain, wood trim and sills. Some 2/2 windows appear to be original. The enclosed porch was added at a later date. It has a single door opening to one side. The house has wood frame construction with vinyl siding (probably wood originally) and a parged, stone foundation. There is a single, brick, masonry chimney at the centre of the house. According to the 2000 inventory, few existing building elements appear to be original (other than the form). It also notes that the cottage probably had few decorative details originally. (1, 3)

Bradford United Church is located at 66 Barrie St. The structure in this photo was built in 1865 in the Gothic Revival style. There was an original church built on this site in 1851.
The 1½-storey building has a rectangular plan, tall and narrow window openings, and a steeply-pitched, gable roof. The enclosed narthex is a recent addition. It is not considered to be consistent with the original style. Tall, gothic-style, trefoil arched openings light the nave. A round, rose window (with muntins set in the shape of a cross) is set into the gable portion of the façade. These cross-shaped muntins replace the original four-leaf clover muntins. The vergeboard has small, gothic arches. Octagonal pinnacles are found at each of the four corners. These pinnacles were originally topped with ornamental spires. Shallow buttresses extending the full height of the façade divide it into three parts. The trefoil arch and the three-part façade refer to the Trinity. There is brick masonry construction with stucco cladding and a parged, stone foundation. The original dichromatic brick cladding is concealed under the stucco cladding. Originally, the underlying red brick walls had buff-coloured brick buttresses and framing at the door and window openings. According to the 2000 inventory, the building is in good condition with some original features. (1, 3, 4)

The Clarence Wood House is located mid-block on the west side at 220 Barrie Street. It was built around 1880 in the Gothic Revival style. This structure was the home of Clarence and Bessie Wood many years ago.
The 1½-storey, ‘L’-shaped building has large window openings with high floor to ceiling heights and a medium-pitched, gable roof. There are decorative, wooden brackets at the front porch and decorative trim at the gable. The dichromatic brick quoins, belt course pattern, and window headers (with keystones) are not original. They are, however, considered to be in keeping with the age of the building. Replacement brick at the window heads appears to have twentieth-century steel reinforcement. The house has brick masonry construction. According to the 2000 inventory, the projected greenhouse bay window and skylights are unsympathetic with the original design. It also notes that other renovations are somewhat in keeping with the original building design. (1, 3)

The mid-block building located at 31/33 Bingham St. was built around 1880 in the Neoclassical Duplex style. George “Duke” Lowe built and rented the north half (31), and he and his family lived in the south half (33). He was a farmer who raised cows and pastured them on a vacant lot on the south side of Centre Street. He also cut marsh hay, raised pigs, had an ice house, and delivered ice. He started the first garbage pick-up in Bradford. Ted Bulpit and his wife and son (Ted) lived at 31 Bingham St. for many years.
The six-bay structure with one-storey (narrow) rear wings is set close to the street. Unlike most Neoclassical buildings which have two storeys, this is only a single-storey dwelling. It has a shallow-pitched, gable roof and a formal, symmetrical façade. The slightly-raised entrances are paired in the centre of the façade and each one has a parged-stone entrance platform with steps. Both doors (not original) are set into high, segmented arch openings with glass transoms. The original glass has been replaced with a solid panel. This building has small window openings with low floor to ceiling heights. The front windows (with high sills) are set into segmented arch openings with plain, wood frames and sills. A 2/2 window at the far north end is original, but the other windows are more recent replacements. The shutters are not original. This building has brick, masonry construction with stucco cladding and a parged, stone foundation. There is a cellar. The bricks used for the cladding were salvaged from damaged sections of the Town Hall after the severe storm of 1878. According to the 2000 inventory, this building is a modest example of workers’ housing with some original details remaining. (1, 2, 3)

The mid-block building located at 90 Church St. was built pre-1900 in the Gothic Revival style. The 1½-storey, five-bay ‘farmhouse’ has a modified ‘L’-shaped plan with an off-centre hall, an asymmetrical façade, and a medium-pitched, gable roof. The open, covered porch with a hip roof is raised above grade. It is a replacement. The house originally had a full-width verandah supported by wooden posts. The upper-floor windows are offset from the ground-floor windows. There are small window openings with low floor to ceiling heights and plain, wood trim and sills. The double-hung windows and shutters are not original. The house has wood frame construction, vinyl siding, and a parged, stone foundation. Originally, the cladding was probably wood cove siding. According to the 2000 inventory, few remaining features are original other than the somewhat atypical form. It appears (by its size) that the portion of the house where the entrance is located is original and that the side wing was added later. That could explain the slight setback in the façade wall where the two join. It also notes that this modest house probably had few decorative details originally. (1, 3)

The house located at 131 Church St. (on the southeast corner of Church and Hurd Streets) was built pre-1900 in the Gothic Revival style. It was once the home of the Taylor family.
The 1½-storey, three-bay ‘cottage’ has a centre-hall plan and a medium-pitched, gable roof. There is a gable dormer centered in the main, gable roof. At the time of the 2000 inventory, the house had aluminum siding on wood stud framing. The original cladding was wood cove siding. It was notes that only the basic form gives some clue as to the age of the structure. Many historical features are concealed by the use of modern cladding, the replacement windows, and the many trees on the property. (1, 3)

The Dougald MacDonald House is located mid-block at 63 Frederick Street. The house was built pre-1900 (around 1882) in the Ontario Vernacular Cottage style. It was built by George (Geordy) MacDonald, a bachelor, stone mason, and contractor who emigrated from Scotland at the age of 27. He was responsible for building homes and schools in this community, as well as the first Presbyterian Church in Bradford that once stood on John Street. The one-storey, three-bay cottage has a square plan with a centre hall. A box hall was typical for this style. The house has a symmetrical façade and a simple, gable roof. The grade-level entrance has a single entrance door with a rectangular, glazed transom. The large, 8/8, double-hung windows have plain, wood trim and sills. The house has wood frame construction covered with aluminum siding. According to the 2000 inventory, the original siding was probably wood. It also notes that the building was largely obscured by trees and that it probably had few decorative details originally. A photo (and brief article about the renovations) in Century Home Magazine (April 2002, page 18) reveals that the two cedar trees in the front yard have been removed and that a porch has been added at the front of the house. (1, 2, 3, 5, Century Home Magazine)